At first sight, the Gents’ (of Leicester) Pul-syn-etic clock looks like a short case wall mounted pendulum clock. It is only when you realise that there are no weights and you hear it in operation that you discover that this is something rather different.
Officially called a C7 transmitter, the case is a very elegant but unadorned hardwood box with a glass front, about 1.3m tall, 30cm wide and 20 deep reminicent of laboratory instruments. Most examples have a square deco style white face with a simple straight minute hand and ring hour hand. This is mounted in the door at the top above the glass.
Opening the door will reveal a nearly free swinging pendulum (A) adjusted to 1 second per half cycle. Watching the clock operate for a few minutes will reveal its operation. Refering to the diagram below, the pendulum moves a follower (B) which trips an escapement wheel (C) once every cycle. The wheel is fifteen teeth (thirty seconds) around and at one point there is a deep notch. This causes the actuator to slightly move upwards on the next right swing so that it fouls a vertical spring latch (D) on the right hand side.
You now need to watch carefully because everything happens quickly. The latch releases a bar (E) which contains a small roller. This rests on the pendulum follower and as it swings to the left it rolls off the edge and down the side. This side piece (F) is angled so that the weight of the roller and impulse-bar mechanism gives the pendulum a slight nudge to keep it swinging. So far this has all been mechanical, however when the roller reaches the bottom (when the pendulum is roughly in mid swing,) an electrical contact is made at the lower left of the impulse-bar (G). This enables a current to flow around the circuit which includes a large double coil solenoid (H) at the left. The solenoid pulls a long bar (J) towards itself which shoves the impulse-bar back to re-engage into its latch before the pendulum can swing back again. In the process it disconnects the current so that the solenoid-bar falls back again. This is what creates the loud “clunk” every thirty seconds.
The current which re-engages the latch also flows to slave mechanisms, one of which is the dial on the front. These get the same pulse every thirty seconds to move the hands half a minute at a time using a solenoid operated ratchet. It is this feature that gives the clock its name and makes it a master clock (or transmitter as the manufacturers call it). It is possible to have many slave dials in series (I don’t know of any limit) and this made the clock popular in schools, factories, offices and other public buildings. My one came from the Llandudno Hotel in North Wales. It was possible to get a variety of standard slave dials or the bare mechanisms could be obtained for architect designed clocks. There is a fine example in the library at St. Hugh’s College in Oxford. Special mechanisms were also available to drive time recorders for factories, turret clocks for the outside of buildings (see also St. Hugh’s and Chris Bolwell’s site) and bell actuators for schools.
There is a pull string on the right that, when operated, causes the follower to release the latch on every swing of the pendulum. This is to advance the clock for Daylight Saving Time. It takes four minutes to advance one hour. In the autumn, the easiest method is to stop the clock for the hour.
The pendulum rod is flat invar steel with a threaded extension welded to the bottom. The bob is a cylindrical bronzed steel can 254mm (10") long by 57mm diameter (2 ¼") diameter, perhaps containing large lead washers weighing a total of approximately 4.9Kg. The bob is a close but free fit to the rod and a cast metal circular disk at the bottom allows up and down adjustment on the threaded part of the rod. The whole is suspended by a strip of spring steel clamped to the rod and also to a pivot (K) which allows a small amount of front to back movement. On the bottom of the case is a graduated swing scale which serves very little purpose except to show that the case is vertical. The mechanism (including the pendulum pivot) is all mounted on a very substantial cast iron frame, usually painted green, and this projects out of the back of the case to provide the main wall attachment point above the case.
The moving mechanism parts are all bronze painted and are probably mild steel except the escapement wheel and pendulum follower which are of clock brass. The latter has a steel pin which goes through a slot in the pendulum rod (just below A). In addition to the mechanical parts, there are a few electrical components which vary from model to model. They all have a large two coil solenoid (H) at the right and some terminal posts on the left. Mine has two sets, one for the front face slave (L) mounted on the frame, and one for the power supply and external slaves (M) screwed to the wooden case. Below the main frame on the left is a wire-wound rheostat (variable resistor, N) to adjust the current allowing for different numbers of slaves and a compartment to hold the instruction book. Mine also has some additional components above the frame which are a choke (inductance, P) and condenser (capacitor, Q) in series together and, I think wired across the contact points. This will be to suppress arcing. Other examples have the rheostat and suppressor mounted in different places as they are just screwed to the wood. The wiring is green covered stranded wire, twisted in pairs or more, and routed mostly above and behind the frame. It looks more modern than the rest of the clock, but I have no evidence that it has been rewired.
Choosing a place to install this clock should be done with care. It is rather noisy in operation and I can hear ours two floors away, though at that distance it is not annoying (it is an alternative to counting sheep if you can’t sleep!) It needs a substantial masonry or brick wall which doesn’t flex. Partition walls are not suitable and, in any case, will transmit the noise all around the building. It is probably best not to place it too close to a heat source as changes of temperature will disturb the timekeeping. That said, it is quite elegant and a conversation piece, so an entrance hallway is ideal. You will also need to consider access to a power point, depending on what power option you are choosing (see below).
The primary requirement for setting up this clock is a) to take the very substantial weight in a way that is absolutely rigid. It must not move with the swing of the pendulum else the time keeping will be impaired. And b), it must be vertical. To assist this, there are small inlaid brass studs in the front of the case, top and bottom, behind the door and on the left hand outside. These can be used with a plumb line for lateral and front to back alignment. There is an extra wood panel at the top and bottom rear which stands the case away from the wall by about 1cm. This can be useful to span small dado rails and allow for uneven walls.
First, carefully remove the pendulum from its hanger making sure not to bend the follower bar (which can be rather a tight fit).
It was getting the case vertical which made life hard for me. I positioned it against the wall and, at the last minute, discovered that the top was tipped back by 3cm relative to the bottom. So, as you will see from the pictures, I had to install a mounting block to the wall before attaching the clock. In fact I slightly over did it and it now leans out a fraction, but it tolerates a little error.
The main support is a large hole in the cast iron frame above the case. This should be hung on a substantial screw or Rawlbolt plugged into the masonry behind. Because of the extra padding on mine, I used a 3" (8cm) coach screw through the mounting block and into the wall behind. The screw needs to protrude by about a centimetre to hang the bracket, so a large diameter shank is required to avoid bending. The coach screw I used was 9mm in diameter and had a square head for use with a spanner. I had to file the corners off the head a little to get it through the mounting hole on the clock.
Once the clock is hung the final alignment can be done. If possible I would suggest putting some damping material behind the top and bottom to absorb some of the vibration. A thick soft type mouse mat cut in half provides two very suitable pieces. There are four further screw holes which now need to be used. At the bottom of the case are two slots in the wood which, I am told, originally had rubber bushes. Mark the wall behind at the centre of these slots and drill and plug them for ordinary (long) wood screws. At the top on both sides of the frame are two holes right through the cast iron (a and b on the diagram above). Mark, drill and plug these as well. Be sure to get the case precisely lined up for these as there is only a little adjustment.
Now the clock can be hung in it’s final position. Hook the case over the main support point and loosely insert the lower two case screws. I found that large bath tap washers were an ideal way to buffer these screws from the case. Tighten the top screw so that there is no gap but a little movement is possible for adjustment and get the case as vertical as possible. Now re-hang the pendulum (the shiny side of the rod should face the front), carefully hooking the slot over the follower pin and make sure that the hanger is bedded down into the frame. It is a good idea, at this stage, to make sure that the adjustment screw disk at the bottom of the pendulum is free. Turn it back and forth a few times and apply a smear of grease to the thread, but don’t move it too far away from its original position otherwise it will be hard to put right later. The final adjustments side-to-side can now be made to get the pendulum hanging in the centre of the scale. Tighten the lower screws and insert the two remaining upper screws (also with tap washers) and tighten them down. The clock should now be rigid on the wall and unable to be moved by a (reasonable) shove sideways. It is possible to adjust the pendulum sideways on its hanger, but this should not be necessary.
The instruction book says that the mechanism needs 0.22 Amp to operate. I have found that it will function on a little less than this. The slave movement coil is about 4 Ohms and the master solenoid is about 29 Ohms. The rheostat (on mine) allows adjustment from 0 to 115 Ohms. The simple mathematics from Ohm’s law says that V = I R i.e. 0.22 x 33 (for the one internal slave) requires 7.26V.
There are a number of ways that this power can be provided. Originally this was either dry cells (zinc-carbon) at 1.5V each in series, lead-acid accumulators at a nominal 2V each in series or a transformer and rectifier from what they called the “service main.” Large capacity dry cells are now virtually unobtainable. I remember my school used cells that were 30cm high and 8cm square which lasted about three years and they had a small cupboard full of them, all wired in series. The mains-transformer option has the disadvantage that if the current fails, then the clock stops. Although unexpected, the second option of accumulators is still a viable option. Small sealed lead-acid batteries (with the acid as a gel) are readily available and a matching trickle charger can be wired to keep them topped up.
I bought a 6V set (Maplin part numbers
and LJ92A) before realising that a
12V set would have been better, but it still works with the
rheostat set to zero. I think this will run for at least 3
weeks without the charger connected. You will need to check
that the charger suits the battery you have chosen, but there
is quite a wide range available ) The actual voltage per cell is nearer 2.2V which
is why mine works with the smaller battery. The battery comes
with Lucar connectors as does the charger, so you need to make
up some leads with insulated connectors that allow both to be
connected in parallel. The battery is delivered discharged so
put it on charge overnight before testing. If you are using the
direct transformer option, make sure that it gives DC at 9 to
12V under load and capable of supplying 250mA. If you are
planning to run multiple slaves then 12V will run at least 5
additional dials. Any more than that and you are on your own.
Something I didn’t do, but certainly would if running
remote slaves, is to insert a fuse in the supply lead. The
current potential for lead-acid batteries in the case of a
short circuit is very high and creates a fire risk. A household
1A cartridge fuse in holder would be ideal.
Attach the power supply to the two main terminals (M) on the right hand side—the polarity +/- doesn't matter. There is a hole in the back of the case to run the wires or it would be possible to install the battery inside the case with a little ingenuity. Undo the screw in the knob and adjust the rheostat (N) to maximum resistance (the top on mine). Attach an ammeter to the two terminals half way up the solenoid arm (about at position J), one to the solenoid-arm itself and one to the impulse-bar. This requires two people really—adjust the rheostat until the meter registers 0.22A. Beware:—the solenoid will jump when sufficient current flows and may dislodge the ammeter probes but no harm is done, just re-connect them. Now re-tighten the rheostat locking screw. A significant feature of this clock is that no power is consumed when it is stopped. There is no need to disconnect the power.
Swing the pendulum by hand gently from side to side and make sure that the follower-bar (B) goes through the hole in the latch (D) cleanly. It is supposed to be in the middle but mine sits well forward, possibly because the follower mechanism is slightly bent. The main reason this happens is that the pin on the follower is a tight fit in the pendulum rod and when removing the pendulum, it is very easy to pull the follower as well. If it fowls the latch hole then it will need to be gently bent by pushing (or pulling) on the main follower bar behind the pendulum. Once this is clear you can set the pendulum swinging and after a few seconds the mechanism should operate and all will be well. If the impulse bar does not re-engage in the latch then the current is in-sufficient. If nothing happens at all then check that all the terminal screws are tightened down. A continuous series circuit is required between battery, contacts, solenoid and slave, though tracing the twisted wires (all of the same colour) is quite tricky.
You now need to put the clock roughly right. Differences of more than an hour forward (or any time backwards) are best adjusted by stopping and starting the clock at the appropriate times. I had to move mine by six hours, so I ran it until it showed 7 o’clock, then stopped it until a bit after 7 the following evening when I started it again. Finally adjust it a few minutes using the “advance” string. I have found that this mechanism always advances the clock by one more pulse than you expect it to, but if you overshoot then you can always stop the pendulum for a short period and try again.
Depending on how accurate you want to get it, you now need a reference clock or the radio time signal. I used a radio synchronised wall clock with a sweep second hand—this is where the loud clunk every thirty seconds became useful because I could hear it from the other end of the house. Get the clunk to occur as near to the minute/half minute as you can by stopping the pendulum for the few seconds required. Now measure how many seconds before or after the half minute the clunk occurs. Write this down and do the same about 24 hours later. The difference will tell you how fast or slow the clock is running. Also check that the minute hand is still right in case you are more than 30 second per day wrong! The clock can be made to run faster by turning the adjustment wheel to the right or slower to the left. The book says that it is one notch on the wheel to adjust it by one second per day but there was quite a bit of hysteresis on mine, particularly to the left. Repeatedly take new timings roughly 24 hours apart and within a week I got mine to better than one second a day.
The instruction book talks about a weight supplied that could be placed on top of the pendulum to speed it up, or on the adjustment ring below to slow it down, by one second per hour in each case. This could be used to make small adjustments to the clock whilst still maintaining a monotonic increasing time function (albeit with 30 second step changes). There should be a hook supplied inside the case to hang the weight (usually just below the instruction book) when it is not in use. Both the weight and hook were missing from mine. Tony Daniels kindly sent me a photo of his. It weighs 28 grams (1 ounce) and is inscribed
FRONT For correcting Pul-Syn-Etic Transmitter Pendulum
REAR On top of bob will gain On bottom will lose One second per hour Remove when Corrected
The same technique can be used with much smaller weights for fine tuning and I have recently been shown a picture of some “Regulating Weights” for this purpose. I have made a set of my own in ¼ g. increments for this purpose, using garden wire.
[I have not been able to trace some of the following pictures to their owners so if I have stolen yours, please let me know and may I have your permission please. If not I will remove it as soon as possible.]
Searching on the internet and from clock dealers catalogues, I have discovered that there were different models of this clock made. Mine is numbered #7117 (on a disk on the key ring, and also stamped into the wood at the top and/or bottom of the case next to the brass alignment studs—thanks John), and was probably made in the late 1930’s or early 1940’s. #5615, #5820 & #9541 are the same design as is #6776, but in this case, the slave dial has been removed (or never fitted). These were probably made up to at least 1955.
The early ones, certainly up to 1936 had an oak (#3419) or mahogany (number #4001 at St. Hugh’s Oxford 26 Mar 1936) case and round dial. These are different but close numbers so it is possible that the mechanisms were supplied without cases to to be fitted to suit the customer. They were certainly made to order, though in standardised cases, until quite late in their production, which is why there is quite a bit of variation. The one owned by Alistair Ruddle, which is of this type and #2658, is dated 4 Jan 1928. Tony Daniels’ also has the round (but silvered) face and is #4560.
I discovered one (#8533) on e-bay which seemed to have a separate pendulum follower with a mercury switch. This is about 10cm below the main follower (picture to right) and may have been a similar mechanism to another one I discovered at a dealer’s (Old Father Time Clock Centre, picture in chapter above) that had another slave dial with a sweep second hand behind the glass at the top of the case. The mercury relay may have been to provide a 1 second pulse to drive this second dial.
A very late design (at least 1961) on clock #13735 introduced a round marking on the square dial and no wooden crossbar. Clock #14958 had the same face and is dated 22-7-74. Clock #14836 is similar but the dial has been extended down to provide space for an extra slave movement, possibly for a bell actuator, strike or similar purpose (pictures to the left). All of these used the same standard mechanism. Finally, I came across one with a basically standard mechanism but with a lot of extra switching and connectors. This may be an alternative “second hand” pulse mechanism or something more complex.
Tony Daniels’ clock (#4560) has a special feature—a second dial below the first which is driven from a mains synchronous movement. This was used in an elctricity substation as a frequency drift control and was used to correct overnight error during the daytime by adjusting the mains supply frequency. This was necessary because many people had synchronous clocks and the authority were obliged to be accurate over the long term. The reference clock was also made by Gent and is a precision movement. [The picture suggests that one or both were not running when it was taken.] #3662 14 Aug 1934 is similar and is currently undergoing restoration in the Netherlands. The owner has obtained a copy of the “Operating and Maintenance Instructions for Standard and Frequency Time Equipment” [158K] from another source in New Zealand.
There were other clocks made with a mechanism that operated in a similar way to the Gent. For example the Post Office type 36 which was used to time telephone call charges in local exchanges used a Magneta movement which, I think, was magnetically impulsed. A type that I am particularly interested in locating is one that was on the wall of the physics laboratory in my secondary school (Ravensbourne School in Bromley, Kent, formerly Bromley Grammar School for Boys.) I was told at the time (1971) that it was assembled from a kit by the then head of physics, Mr. G. Pullham. The design was similar to the Gent but, I think, had a shorter 1 or 1½ second pendulum and with a “grid-iron” type compensated bob. It was also a lot quieter in operation, not interfering with lessons.
Some good links.
PULSYNETIC—The best of the lot, and some very special clocks.
Electric Clocks—A good description of how this and other electric clocks work by Michel Viredaz (translated from French)
Electrical horology systems—[LINK BROKEN 2016] A similar page by Werner Moser (translated from German)
Barrie’s Virtual Museum of Clocks. [LINK BROKEN 2014]
Old Father Time Clock Centre—A shop in London.
Bush House Control Room—[LINK BROKEN 2016] Gent clocks in use at the BBC.
Synchronome—[LINK BROKEN] A shop in Brixham, Devon.
Layman’s Guide to the Gent’s Pulsynetic Waiting Train Electrically Driven Pendulum Turret Clock—Chris Bolwell’s excellent description of a refurbishment project. An insight into how Gent master clocks were used to drive outdoor turret and tower clocks..
The Electrical Horology Group of the Antiquarian Horological Society.
Electric Masters—a good introductory site with some excellent pictures.